Graeme Park is featured on our Friday Night Jams show.
You can also listen directly from our website here.
Back in the day, people used to record the mixes on the radio so they wouldn’t miss them. Today, we do all the work for you! Now, you can listen to any of the mixes from our Friday Night Jams, Saturday Night Live Ain’t No Jive Chicago Dance Party, Hot Lunch Mix and more on demand in our DJ MIXES section and in our app.
Each mix page features information about the DJ, links to their social networks, video and tracklists (when provided)
This week’s Long Live House Radio Show features Madonaa, Fast Eddie, Gershon Jackson, Purple Disco Machine, Danism, Chip E, Paul Woolford, Todd Terry and more[/su_tab]
Lucky Star (Jo Manji Sexy Pop Mix), Madonna
I’m Free (Yam Who & Alan Dixon Remix), The Soup Dragons
Lost Without U (Ralphi Rosario ‘Hot Mix 5′ Remix), Hifi Sean feat. Paris Grey
Don’t Stop (Original Mix), Eeediot
Set Me Free (Original Mix), Billy Kenny
Somebody (Original Mix), Project89 & Mike Scot
KF’s Soul In Motion, K&F
Hands Together (House Of Omni Hands Together Extended Club Mix), Gershon Jackson presents Reset Preset
Acid Thunder, “Fast” Eddie
If You Only Knew (Original “If You Dance” Club 12 Inch Mix), Chip E
Music In You (David Penn Remix), Purple Disco Machine
Can’t Help The Way That I Feel, Sneaky Sound System
White Horse, Danism + Train feat. DJ Rae
Funky Soul Makossa (Full Intention Remix), Nairobi
Hang Up Your Hang Ups (CamelPhat Remix), Paul Woolford feat. Kim English
Do You Feel Me? (Deeptrak Remix), N.Y.’s Finest
Higher (Kevin McKay Remix), Rasmus Faber
Only When I’m Dancing (Hifi Sean Remix), Sate
Jumpin’ (Deeptrak Remix), Todd Terry feat. Martha Wash & Jocelyn Brown
We Still Here, Cool 45
Hip Hop Doopray (Jo Manji’s Private Edit), Jo Manji vs Chris Cuevas feat. The Brass Disk
The Haçienda was a club without a purpose until house music filled its cathedral-sized dimensions. It undeniably defined Graeme as a DJ, but in 2014 celebrating his 30th anniversary as a DJ, that can only be seen as one chapter in an on-going tale: ‘Yeah it was a very big chapter,’ says Graeme. ‘I guess the first was when I realised I could DJ and discovered house music from the US. The Haçienda was chapter 2, then chapter 3 was when it re-opened after closing for a couple of months in 1992. Chapter 4 was when it closed not long after I left and I played all around the world. I suppose Chapter 5 was the turn of the century and continuing my journey. Chapter 6 is where I am right now, with more variety to my gigs and music selection than ever before.’
As far as Graeme’s concerned, things are as fab as ever. But where is dance music and club culture headed? Well, who better to ask directions than the man who wrote the disco A-Z? ‘I started doing it purely by accident,’ he details. ‘And then realised I was actually pretty good at it. But I never thought I’d end up doing it for over 30 years. And I see no need to stop at the moment. I still love playing fantastic tunes in a variety of different clubs all over the place and people still want me to do it too.’
And where we are now is a very interesting place to be with regular gigs around the UK, Europe and beyond playing a selection of classic house cuts as well as new and current tunes too to audiences made up of die-hard regulars and new clubbers too. There’s also a variety of occasional productions, remixes and collaborations under various guises with people such as legendary Ten City vocalist Byron Stingily, Juan Kidd and his ongoing Yellow & Black project. Although keen not to be bracketed as purely a ‘classics’ DJ, Graeme regularly delves into the thousands upon thousands of tunes he has collected on vinyl over the years: “House music has made people channel their tastes, so I went back to my roots and pulled out some forgotten classics,” he grins, still in love with process of mining those rich seams of vinyl. “I love seeing a crowd go wild to a tune they haven’t heard for years or playing something really obscure from 20 years ago that people think is new.”
In the past couple of years, Graeme has reunited with original Haçienda Friday Nude Night partner Mike Pickering. Recent gigs in Paris and for The Haç at Sankeys Manchester were huge with Graeme and Mike playing sets full of contemporary tunes rather than classics. “We want to try and recreate the excitement of the original Nude nights when nobody knew what we were playing from one week to the next. We’re also both massive fans of the current crop of young house and dance producers who are making scores of huge club tunes that take their references from over 20 years ago. Response to our occasional sets has been massive from both young and older clubbers alike.”
Celebrating over 20 years on the radio with shows on Kiss, Galaxy, Key 103, Radio City, Juice FM, Forth One and more, Graeme’s years of experience help him understand the specialist skills required by a radio DJ: ‘A lot of radio shows or DJs just play the same big tunes. You can’t simply pretend you’re in a club, you have to talk to the audience and put your personality and knowledge across without sounding like an idiot.’ His weekly Graeme Park Radio Show airs on scores of radio stations both in the UK and overseas and brings in a big audience with his mix of new and older tunes mixed together like only he knows how. He’s recently been hosting the Saturday night show on the Bauer Radio Place Stations network across the North of England and Scotland which featured the perfect mix of classic tracks alongside the biggest anthems of today.
Keeping ahead of the game, Graeme has his own official app for iPhone and iPad which you can download from the iTunes Store for free. It keeps you up to date with what he’s playing and where while you’re on the move. You can also listen to his weekly radio show and not surprisingly it’s proving extremely popular since it’s launch in March 2010.
Whether through his sets, his radio shows, his productions and remixes or simply by getting to know his audience, Graeme has spent over 30 years getting his jocular personality across. He was there before it all started, he was at the forefront of the dance scene when it was at its zenith and he’s still there, still rocking it, years later – longer than some of the people on the dancefloor have been on the planet! And the best thing is he still loves it, still loves the music and still loves to play it for people to dance to.
‘Yeah, for my entire career I’ve been finding good tunes that I want other people to hear. The reason I keep doing it is simple: it’s my mission in life to let people hear good music.’
The Haçienda is now an apartment building (the developers asked Parky to DJ at the launch; he politely declined). At the back of the building there is a time-line, carved into steel, detailing the history of the club from Madonna‘s early performance to its closure. And there’s Graeme’s name not once, but twice, carved into the metal for time immemorial. What other DJs (what other venues?) have had that significance in clubland?